I like the leaf behind the tree as it pads the tree out a little but when the leaf is on the other side it forms an arch which i see as a hint towards the wedding at the end of the story.
This tree was made using a chicken wire tube to make up the trunk and single wires constructing the roots and branches. The model was then covered in modrock and then the plan was to cover and add texture with milliput.
When adding the milliput I realised that the underlying structure was not sturdy enough to stand along or to hold the weight of even a small bit of milliput. I also wasnt happy with the branches as there were too many and they were too thin and wispy looking.
I originally wanted a detailed stained glass but when trying out designs on plastic with acrylic glass paint I wasn't happy with the look. I really like the different sized circles as they aren't all the same and goes with the organic feel of the final design. Although, the liner used on the bottom trial is too white and I feel it would look a lot better in a pale bronze colour which would link back to the Tudor genre.
The following technical drawings are from the Theatre Royal in Margate. I will be designing my set to go into these dimensions and take into considerations the lighting and sightlines of the building. Theate Royal has an apron stage.
View of proscenium arch (1:51.63) with 25th scale measurements layed over.
Birds eye view of building (1:117.64) with 25th scale measurements layed over.
I found this cut out in an old book I was given as a child on the Tudors. It explains the popularity of a fictional faerie character based on Elizabeth I. I have looked for more evidence of this character but can only find that the character came about through a poem written by Edmund Spenser and that various artists incorporated the character into their paintings, all with different idea's of aesthetics.
Other opinions on the character say that this poem was based on a prophecy regarding the Saxon's ruling England, which was later adopted by the Tudors.
I may take the Faerie Queen idea forward to help fuse the organic architecture and Tudor genres.