Thursday, 17 February 2011

Theatre Model #2

Cutting out the proscenium arch


Aerial View - Spacers


Side View - Floor on spacers


Side View - Balcony without front face

Side View - Balcony with front face



Front View - Model Box with balcony, safety curtain and first two rows of seats

Mock up of proposed set

Design Ideas #3


Sticking with the same layout, I have played around with using tudor panelling, stained glass and twigs in varying areas.



Panel flooring, multicoloured stained glass window, twig frame.


Leaf backdrop, tudor panel and rose window, plain stone floor.

Rose and leaf backdrop, tudor panel semicircle.

Mood Boards

Environmental Art, Architecture, Nature


Fantasy MakeUp and Illusion


Tudor


Theatre Details

The following technical drawings are from the Theatre Royal in Margate. I will be designing my set to go into these dimensions and take into considerations the lighting and sightlines of the building. Theate Royal has an apron stage.


View of proscenium arch (1:51.63) with 25th scale measurements layed over.



Birds eye view of building (1:117.64) with 25th scale measurements layed over.

Birds eye view of building (1:118)

Holbein




Holbein was a very popular painter, particularly with the Royals, in the Tudor period.
He was commissioned to paint a lot of the royal portraits, some of which still hang in the properties they lived in.

Tudor Portraits

Mary



Elizabeth


Faerie Queen

I found this cut out in an old book I was given as a child on the Tudors. It explains the popularity of a fictional faerie character based on Elizabeth I. I have looked for more evidence of this character but can only find that the character came about through a poem written by Edmund Spenser and that various artists incorporated the character into their paintings, all with different idea's of aesthetics.

Other opinions on the character say that this poem was based on a prophecy regarding the Saxon's ruling England, which was later adopted by the Tudors.



I may take the Faerie Queen idea forward to help fuse the organic architecture and Tudor genres.